Tag Archives: desire

Christian asceticism (spiritual disciplines, self-denial): What’s up with that?


So . . . many . . . temptations . . .

So . . . many . . . temptations . . .

In this second post from the monasticism chapter of my forthcoming Medieval Wisdom: An Exploration with C S Lewis, we come to the “inner logic” of asceticism. What is it about our experience as human beings that requires us to engage in “askesis,” which means “training,” in order to live well with and for God?

In the last post I reminded us of what we already know–that the desires and goods of our embodied lives are also so darn distracting. They so easily lure us in with the siren song that, after all, our real fulfillment lies in them and not in God.

Now I want to add that this fact about us explains the behavioral strictures that modern American holiness and fundamentalist believers have insisted upon: no dancing, drinking, movies, and so forth. These have been misunderstood by critics as “legalism,” a term with Lutheran roots that means the attempt to earn God’s favor through rule-following (the sort of thing that Jesus scorned in the Pharisees). Rather, they have a singular purpose: Continue reading

Advertisements

C S Lewis on desire as the road to God


Boy-Drinking-WaterThis is the last bit on Lewis and desire in the “affective devotion” chapter of my Getting Medieval with C S Lewis:

Lewis was not idiosyncratic among 20th-century Christian imaginative writers on this matter of desire’s role in bringing us to the gospel. Lewis’s close friend Charles Williams was captivated by Dante Alighieri’s belief that he had been led to salvation by a young woman with whom he had become infatuated with when he was a boy. From Dante’s vision of Beatrice, Williams elaborated a “romantic theology.” A key Christian influence on Lewis, G. K. Chesterton, discovered a similar romantic dynamic in the life of “God’s troubadour,” Francis of Assisi. Each of these writers, and Lewis himself, was thus drawing in fact not only from classical eudaemonism, but also from a distinctively medieval tradition of affective theology, exemplified in Boethius, Francis, Dante, and with special intensity in such late-medieval mystics as Julian of Norwich (one of Lewis’s favorite spiritual writers).

Lewis taught that our natural desires—our yearning that is triggered by our experiences of what is good and beautiful in the world—in fact can lead us toward God. Indeed he insisted that he himself had come to God in this way, so that he called himself an “empirical theist.”[1] He refused to believe that “the ‘vague something’ which has been suggested to one’s mind as desirable, all one’s life, in experience of nature and music and poetry” was “any product of our own minds.”[2] Our sensing self, interacting with the world through not only perception but also desire, leads us toward something real and objective beyond our subjectivity: it leads us toward God. Now, he confessed, with the Pseudo-Dionysians, that sometimes this happened by negative example and by suffering—by the sinfulness in ourselves that we stumble across as soon as we engage fully in that natural mode and world—as Gregory the Great had also taught. But this, too, was a mechanism of desire: we desire not to suffer and be sad, so we reach out to the God who forgives sins, heals hearts, dries eyes. Continue reading

C S Lewis on our REAL desire – channeling Plato and Boethius


A depiction of Boetius teaching his students (...

A depiction of Boetius teaching his students (1385). Boetius, a 6th century Christian philosopher, helped keep alive the classic tradition in post-Roman Italy. (Photo credit: Wikipedia)

Before beginning the research on Getting Medieval with C S Lewis, I had often thought that there is something a bit exotic and strange about Lewis’s treatment of desire and salvation. Now I know what that is: he was a Neoplatonic Christian in a Boethian mold. This bit of the “affective devotion chapter” sorts some of that out, with the help of Canadian philosopher and Lewis specialist Adam Barkman.

Lewis’s reading of Boethius, quite a while before his Christian conversion, revealed to him a particularly Christian understanding of the role of our desires in the path to God. His knowledge of this tradition would lead Lewis to craft a form of a traditional apologetic argument for Christianity: the argument from desire.

Since Boethius’s book was one of the most translated, most influential books of the whole middle ages,[1] let’s look for a moment at how this influential argument from desire looks in the Consolation. Boethius the character in the allegory begins the book in a very agitated state. His fortunes have turned for the worse, he has been accused of political skullduggery, his goods have been confiscated, he is under arrest. And with the righteous fervor of a Job and the melancholy of a Psalm of lament, he says, “I seem to see the wicked haunts of criminals overflowing with happiness and joy.” How is it that the wicked can be enjoying themselves, and he, who has lived an upright life as a faithful servant of Theodoric, has had happiness snatched away from him?

Now Lady Philosophy spends much of the first half of the book convincing Boethius that the things he thinks will bring him secure happiness—money, fame, power, pleasure—are actually will-o-the-wisps, or pale shadows of true happiness. But she does not disagree with Boethius’s premise: that happiness is our proper end. Continue reading

C S Lewis and the ancient/medieval path of desire


Augustine, desiring.

Augustine, desiring.

Here’s a bit of Lewis material from the draft introduction to the “affective devotion” chapter of my Getting Medieval with C S Lewis. This is the setup for the following post, which will delve more into what Lewis, following Boethius and the Neoplatonists, thought was our real desire, and how following it would make us more truly ourselves:

Lewis was a scholar of the medieval period, but his medievalism was much more than intellectual. He was medieval not only in his mind, but also in his heart. This we see not only in his youthful encounters with sehnsucht (yearning joy) while reading medieval Norse myths, or in his abiding affection for the passionate poetic vision of Dante, but also in his love for the way medieval people viewed the world and their place in it. As he said in The Discarded Image: “I have made no serious effort to hide the fact that the old [medieval cosmological] Model delights me as I believe it delighted our ancestors.”[1]

At the center of this heart sympathy for the medieval way of seeing the world was a very particular understanding of how our emotions move each of us along our path to God. Significantly, in his apologetic writings, Lewis frames both his own movement toward faith and the usual human process of conversion as an Augustinian quest of desire. Augustine’s dictum “Our hearts are restless until they rest in thee” and his cry, in the Confessions, “Inebriate me, O God!” arose from a Christianization of a classical philosophy called eudaemonism (from the Greek word for happiness, eudaimonia). Classical philosophers had asked, “What makes man truly happy?” Early and medieval Christian eudaemonists answered out of the ubiquitous scriptural language of reward: We are happy when God fulfills his promises and our desires by giving us his loving presence. According to Augustine, the key to happiness is to want the one right thing, which is God himself.

Lewis agreed, and he found pernicious and un-Christian the modern ethic of absolute abnegation of desire: Continue reading

C S Lewis’s use of story to “train the heart,” per Paul Ford, in the latter’s delightful Companion to Narnia


The Pevensy children and the lamppost

This is me reflecting in my “Tradition chapter” draft (for the forthcoming Getting Medieval with C. S. Lewis) on Paul Ford’s understanding of how C S Lewis used story, in the Narnia Chronicles, to initiate readers into a traditional moral reality by drawing their desires into play. It supports and resonates with this post.

Paul Ford, Companion to Narnia, “Introduction” and “Story”

“Story, Stories” (pp. 412-13)

“The seven books of the Chronicles of Narnia are testament to the fact that Lewis valued stories and story-telling as the best way to transmit values down through the generations. The difference in quality between the New Narnians and the Old Narnians (as personified by Miraz and Prince Caspian) is faith. Miraz thinks fairy tales are for children and to be outgrown, while for Caspian the old stories are his salvation.” (412)

“Introduction,” sub-section “What Is a Story?

There is much wisdom here about story as moral education because it is a key way our emotions are trained. So too tradition: it is handed down as of immense value, it forms our culture’s “ways of seeing,” of “Enjoying” truths by indwelling them and using them to “see other things by”—like “looking along the beam” rather than “looking at the beam”—the latter being the analytical mode that Lewis calls Contemplating, rather than Enjoying.

The nature of the education that story gives us is described by Gilbert Meilaender, quoted at length in this section: “‘Moral education . . . does not look much like teaching. One cannot have classes in it. It involves the inculcation of proper emotional responses and is as much a ‘knowing how’ as a ‘knowing that.’ . . . The picture we get when we think of ‘knowing how’ is the apprentice working with the master. And the inculcation of right emotional responses [see “men without chests” image in Abolition of Man] will take place only if the youth has around him examples of men and women for whom such responses have become natural. . . . Lewis, like Aristotle, believes that moral principles are learned indirectly from others around us, who serve as exemplars Continue reading

How C S Lewis used story to initiate the reader into a traditional moral vision by awakening desire


Fairies RingThis rough clip is from the “Tradition” chapter of my forthcoming Getting Medieval with C. S. Lewis. The burden of the “Lewis introduction” of the chapter is that Lewis saw himself, vocationally, as a “traditioner” for a generation losing touch with its roots. This bit explores how Lewis sought to carry out that vocation (at least in part) through storytelling.

I believe, through Paul Ford’s Companion to Narnia, I’ve been led to the key to my chapter on tradition and Lewis’s relationship to tradition and our need for it. The key is how, through re-narrating the stories of our traditions, through narrative form, we are led to indwell truths of the past, Enjoying them (“looking along the beam” of sunlight, and seeing all things by it) and not just Contemplating them (“looking at the beam,” and seeing only the dust motes floating in it). This is what Lewis did in his stories, per Ford in his section on “Stories” in the introduction to his Companion.

It is as Lewis said: Reason is the organ of truth; imagination is the organ of meaning. Therefore if we are to pass the meaning of our faith from generation to generation, it must be done through story. Remarkably, Lewis succeeded in doing that, in even passing the meaning of faith to other generations—to the generation of children (like the kids he had staying with him during the Evacuation) by means of his stories. Stories do this—they allow us to indwell imaginatively a world of meaning, by showing us examples of it (of that meaning, ethics, spirituality) which train our affections, which give us new habituses in ways that mere doctrinal catechesis can never do. Continue reading

“Ticket to heaven”: C. S. Lewis’s debt to the Theologia Germanica on self-will, death, and heaven


Folks,

As I have for the past several years, I had the wonderful opportunity again this year to attend the International Medieval Congress in Kalamazoo, Michigan. The event happened a couple of weeks ago, and again I was able to participate in a wonderful session on the works of a famous medievalist whom almost nobody thinks about as a medievalist: C. S. Lewis. In fact this year, the intrepid Joe Ricke of Taylor University crafted, and Crystal Kirgiss’s Purdue C S Lewis Society co-sponsored, an entire track of three sessions on “Lewis and the ‘Last Things.'”

My paper was (perhaps nominally) on the topic of heaven, as well as on death. Here it is, with work yet to be done on it before it finds published form, much-modified, in my upcoming book Getting Medieval with C S Lewis. 

(This is copyright 2013 by me, Chris R. Armstrong, and posted here with the understanding that those reading it will not cite or quote it without express permission from the author.)

Chris Armstrong, International Medieval Congress, Kalamazoo, MI  May 2013 

“Ticket to heaven”: Lewis’s debt to the Theologia Germanica on self-will, death, and heaven

[This paper could perhaps more accurately have been titled: “For and against self-abandonment: C S Lewis’s uneasy relationship with the Pseudo-Dionysian teachings of the Theologia Germanica”]

C S Lewis was in a state of heightened awareness of his mortality when he sat down on Sept. 12th, 1938 to write to his friend Owen Barfield with the storm clouds of war gathering overhead. “My dear Barfield,” he wrote,

“What awful quantities of this sort of thing seem necessary to break us in, or, more correctly, to break us off. One thinks one has made some progress towards detachment . . . and begin[s] to realize, and to acquiesce in, the rightly precarious hold we have on all our natural loves, interests, and comforts: then when they are really shaken, at the very first breath of that wind, it turns out to have been all a sham, a field-day, blank cartridges.” (231) Continue reading